Graham Basis
4 West Burton Avenue, Chicago
Open via July 9
Since 1963, Chicago’s Graham Basis for Superior Research within the Fantastic Arts has been housed in a turn-of-the-century Prairie-style mansion within the Gold Coast neighborhood. Even when internet hosting exhibitions, the Graham tends to fill its historic wood-framed galleries solely sparsely. For EXITS EXIST, the script has been flipped. The exhibition, conceived by the San Francisco artist Barbara Stauffacher Solomon, accommodates nearly no three-dimensional objects. Somewhat, Solomon’s intervention is restricted to the gallery partitions themselves, to which she has utilized a collection of purple, white, and black supergraphics. The distorted letterforms—when deciphered, they spell out the exhibition title—and stark coloration underscore the spatial energy of Solomon’s most popular medium, which she first started exploring 70 years in the past. You would possibly name it a lifelong obsession. SAH
Notre-Dame de Paris: The Augmented Exhibition

The Nationwide Constructing Museum
401 F Avenue NW, Washington, D.C.
April 15 via September 26
On April 15, three years to the day after Parisians and the folks of France (together with the remainder of the world) watched in horror because the Notre-dame de Paris was ravaged by a catastrophic hearth, a brand new exhibition that transports guests to the landmark cathedral by way of 360-degree augmented actuality know-how makes its North American debut on the Nationwide Constructing Museum in Washington, D.C.
Whereas navigating the immersive exhibition entitled Notre-Dame de Paris: The Augmented Exhibition, museum friends might be supplied with HistoPads, an augmented actuality touch-screen pill developed by French firm Histovery. With digital tablets in hand, friends can embark on a century-spanning exploration of Notre-Dame de Paris from its building within the Center Ages up via the current day. This, after all, consists of an up-close have a look at the continued restoration of the cathedral, with these painstaking actions being a serious focus of the exhibition. As additional detailed by the museum, the exhibition is obtainable in an “immersive bodily setting that’s visually transporting” full with ”vinyl replicas of the cathedral’s flooring, stained-glass transfers on the Museum’s historic home windows, audio of Notre Dame’s organs and tolling bells, in addition to a projection of the cathedral’s famed rose window, that miraculously survived the fireplace.” Matt Hickman